Here, he challenges us all to stand up to the creeping indignities that eventually coalesce into true injustice. “HOME,” Roger Waters (1987): Some of Waters’ most biting commentary, despite the dated production on a plasticine, synth-laden bid for MTV acceptance called Radio K.A.O.S. Nowhere on The Final Cut, by the way, is that more clear than on “Your Possible Pasts.” Actor Bob Geldof, you’ll remember, recites part of this song’s lyric during “The Wall” film from years before. After all, they’d already made this album - and, you could argue, had done a better job of it the first time. The back of the original liner notes actually read: The Final Cut: A Requiem for the Post-War Dream – by Roger Waters, performed by Pink Floyd.
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Pink Floyd’s devolution into a Waters cover band, see, was complete. He’s pushed into concise bursts of angry brilliance, in particular on this recommended last-gasp cut. (That reportedly led to a heated exchange in which Gilmour said: “Look, if you need a guitar solo, phone me.”) Still, each of Gilmour’s showcases is a coiled delight.
Pink floyd songs full#
Waters, in full megalomaniac mode by now, had already sacked founding keyboardist Richard Wright, and subsequently relegated Gilmour to just four interludes. “YOUR POSSIBLE PASTS,” Pink Floyd (1983): Originally envisioned as a soundtrack to the motion picture component of the group’s multi-media project “The Wall,” 1983’s didactic “band” project The Final Cut became a stand-alone effort when Waters got tuned up over England’s involvement in the early-1980s’ Falkland Islands conflict. Here’s a list of five tunes worth revisiting: Hey, man, didn’t you used to be Pink Floyd? Criticized then as now for being transitional and samey, though, it was far from the worst thing foisted on unsuspecting fans during the 1980s.Ĭheck out, or don’t, guitarist David Gilmour’s misfire solo release About Face, an album that is often so terrible as to seem like some deranged trick, and not just because it includes a belated pass at disco called “Blue Light.” Then there was founding bassist Roger Waters’ drab solo debut Pros and Cons of Hitch Hiking, a mid-life crisis record, for chrissakes. “ ‘The Great Gig in the Sky’,” Gilmour confirms before namechecking a Meddle era track, ‘” Echoes’, there’s lot of them.Pink Floyd‘s A Momentary Lapse of Reason, alas, was no Dark Side of the Moon.
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This conversation would, of course, seem incomplete without some mention of The Dark Side of the Moon. Gilmour co-wrote ‘High Hopes’ along with several other songs from 1994’s The Division Bell with new girlfriend Polly Sampson, who would marry Gilmour following the album’s release. “ ‘High Hopes’ from The Division Bell is one of my favorite all-time Pink Floyd tracks,” he enthuses. “ ‘Comfortably Numb’ is another one,” David adds, jumping forward in time for 1975’s Wish You Were Here to 1979’s The Wall.ĭespite the mounting tensions in the group, ‘Comfortably Numb’ is one of Gilmour and Roger Waters‘ most collaborative lyrical efforts, with Roger writing the verses and David contributing the chorus.įrom here Gilmour turns his mind to the album’s Pink Floyd recorded after Roger Waters quit the band in 1985.
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It was the last time, Wright thought, that Pink Floyd had really worked together as a band. “ ‘Shine On You Crazy Diamond’ and ‘Wish You Were Here’” Gilmour replied, “ are standout tracks.”īefore his death in 2008 Pink Floyd keyboardist Rick Wright also expressed that the band’s 9th album Wish You Were Here was his favorite album. When asked to name the Pink Floyd songs he either liked the best or thought had stood the test time, this is what he had to say. Interviewed by Billboard in 2006, Gilmour shed some light on the question. Given his accomplished career, a fan might be forgiven for wondering which of the more than 200 recorded Pink Floyd songs, Gilmour thinks are best. ” I just wait to let inspiration strike.” While the guitarist’s output has been sparse over the past few decades Gilmour has nonetheless contributed songs to some of the most iconic records of all time. “I really am an inspiration person,” Pink Floyd‘s David Gilmour once shared of his creative process.